Thursday, March 14, 2013
Favorite Author and My Guest Today: Amanda Hughes, Author of Wonderful, Epic Irish Historical Romances
Note: One lucky commenter today will have her choice of Amanda’s three novels in eBook format—so be sure I have your email or watch my blog for the winner's name!
Amanda, welcome to my blog! I am so excited to hear what you have to say about the Irish history that inspired your first novel and your new one!
Thanks, Regan, for having me on your blog. It is a pleasure to be here and I so appreciate the opportunity to talk about Ireland. I know you share that heritage, too, and we can celebrate St. Patrick’s Day together in remembering it.
Writing Historical Romances About the Irish
"A thin place? What do you mean?"
"The ancient Celts believed certain spots on Earth have thin boundaries between the natural and the supernatural world. I believe the monks felt that transparent quality here and for that reason chose this site for a monastery."
"What a beautiful idea. I've never heard of such a thing."
"Some think its romantic superstition. I prefer to think of it as evidence of eternity.”
~Darcy McBride to Father Etienne from Beyond the Cliffs of Kerry
About twenty years ago when I first read about “thin places” in an article for St. Patrick’s Day, I was moved. Little did I know that years later it would find its way into my debut novel Beyond the Cliffs of Kerry and influence my latest novel, The Sword of the Banshee.
All my life, I have loved all things Irish, but serious investigation into Ireland never occurred to me until I decided to write a novel. Although my mother taught me to be fiercely proud of my Irish heritage, she had no interest or knowledge in Irish history. The English monarchy is what fascinated her, and the study of Great Britain was a priority in school so their past is what I learned. All of my youth, I was under the impression that the Irish had no history at all. History did seem to be “written by the conquerors.”
Years later when I decided to write a book, I came across the short article about “thin places” in a neighborhood newspaper, I became curious. I realized that it was time to do some investigation into my Celtic heritage. It was no easy task in the 1990s. I found little documentation of Irish history and next to nothing about 18th Century Ireland. There was no information at the public library, so I had to order dusty old books from the university. Most of them were sadly outdated, but I persevered and continued to research the novel.
Eventually, I learned that Ireland had suffered many famines, not just the “Great Hunger” of the mid 19th Century. This was the mass starvation when most of our Irish ancestors came to America. Instantly I knew that my main character, Darcy McBride, would be the survivor of an equally devastating famine that swept Ireland in 1740-41.
In my research for Beyond the Cliffs of Kerry, I also discovered that diseases killed most of the Irish at the outset of the famine, long before the slow painful death from starvation. Rickets and anemia were the killers, taking out the elderly and the very young. Those who managed to survive disease and the famine were scarred physically and emotionally for life.
Without a doubt, complex and disturbed characters were beginning to evolve for my book. Together they would make up the villagers of Kilkerry, Darcy McBride’s home in County Kerry.
I also learned that smuggling was a way of life in Kerry in the 18th Century. It was a common practice for the residents to smuggle goods to the French as a livelihood. Exposed and convicted of this crime, I decided to have Darcy transported as a prisoner to Colonial America. She would serve her sentence in the colonies as an indentured servant. Early America was another historical obsession for me, so the progression beyond the cliffs of Kerry seemed obvious. Once in the New World, Darcy finds even more danger and bloodshed, but she also uncovers the great love of her life with Jean Michel Lupe.
Beyond the Cliffs of Kerry took shape and was published in 2002. Though my second novel, The Pride of the King, concerns the adventures of a French woman from New Orleans, the love of Ireland drew me back once more when I started my third book.
This time, it was “The Troubles” that interested me, the turbulent and frequently bloody conflict between Ireland and Great Britain. With my research, I traced the roots of this turmoil back as far as the 13th Century. I learned about “The White Shirt Boys,” who were an underground society of resistance fighters who challenged the authority of the Crown throughout Ireland. It became clear to me that my next heroine must be a freedom fighter for the Irish living in the 18th Century. India Allen was created.
“The Ice Queen,” as she is called, steps up from the shadows in 18th Century Ireland and spearheads a rebellion that shakes the country, but it is doomed to fail. Fleeing to the New World, she joins forces with a cavalier Irish adventurer who will become her true love, Quinn Calleigh, and together, they form a vast and deadly partisan network during the American Revolution.
I was taken with the idea that even though the Irish could not attain their freedom from the British in Ireland, they were victorious here in the New World with the American Revolution. It was here in America where they found their opportunity to prosper, and it was here that they were at last able to worship freely and celebrate their heritage. As a result, The Sword of the Banshee was born.
Today I am formulating the plot line of my fourth book. Even if I do not write about the Irish in my next novel, there is no doubt that the powerful lure of the Celts will draw me back once more. To be Irish is a proud thing.
For more about Amanda, visit her website: www.amandahughesauthor.com